Course Outline Week 1 — History and Types of Perspective •Understanding spatial structure and the rules of constructing three-dimensional objects •Drawing basic geometric forms: the cube, cylinder, and sphere •Mastering one-point and two-point perspective •Hands-on practice with simple geometric compositions Week 2 — Three-Point Perspective •Rules of constructing complex perspectives •Creating depth and dynamic viewpoints •Pencil sketching of an urban scene using three-point perspective Week 3 — Urban Landscape: Layout and Proportions •How to map out space accurately •Techniques for maintaining correct proportions in complex environments •Two urban sketches focusing on structure and balance Week 4 — Distortion and the “Fish-Eye” Effect •Exploring creative perspective distortions •Understanding how to bend space while maintaining realism •Practice exercises on distorted forms in space Week 5 — Working with Tone and Depth •Introduction to tonal perspective •How to use light and shadow to create atmospheric depth •Pencil sketch of an urban scene focusing on tonal values Week 6 — Emphasizing the Focal Point •How to lead the viewer’s eye to the key subject •Strategies for using negative space and background elements effectively •Exercises on building dynamic and engaging compositions Week 7 — Exploring Mixed Media •Techniques using markers, toned paper, and ink pens •How to combine materials for maximum expressiveness •Creating experimental urban sketches with diverse textures Week 8 — Final Project •Applying all the learned techniques in one cohesive piece •Creation of a detailed urban landscape drawing with a focus on depth, tone, and perspective •Group critique and personalized feedback from the instructor By the end of this course, you will: •Master the principles of linear and tonal perspective •Confidently construct dynamic urban landscapes •Explore creative distortions and mixed media techniques •Complete a professional-level urban sketch that showcases your skills Get ready to see cities not just as streets and buildings — but as canvases full of depth, rhythm, and endless possibilities.